See Photos: Julia Roberts Turns 50: Her Evolution From 'Mystic Pizza' to 'Wonder' He’s actively bullied by rich-kid Julian (Bryce Gheisar, “A Dog’s Purpose”) but may find a friend in scholarship student Jack Will (Noah Jupe). Tushman (Mandy Patinkin) is supportive, although Auggie’s classmates do a lot of staring and then looking away. His mom Isabel (Julia Roberts) has home-schooled Auggie all his life, but since fifth grade is a year when all the students will be attending a new school, she’s decided it’s time for her boy to leave the nest.
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He’s got a loving family - and one of the biggest New York brownstones ever, even by movie standards - but it’s time for Auggie to meet the world. But it’s still an unusual face, one that he prefers to hide from the world in his astronaut helmet.
The different kid is Auggie (Jacob Tremblay, “Room”), born with a congenital disorder that has caused him to have 27 surgeries in his 10 years of life, allowing him to breathe and to hear and also to reshape his face. Watch Video: Jacob Tremblay Will Make You Cry in First 'Wonder' Trailer Even the bullies get backstories and a shot at redemption. “Wonder” is a story about a kid who’s different, yes, but it’s also about the people around him as well. Palacio, director Stephen Chbosky (“The Perks of Being a Wallflower”) and his co-writers Steve Conrad (“The Secret Life of Walter Mitty”) and Jack Thorne (“Harry Potter and the Cursed Child”) throw out a wide net of compassion. As with horror and comedy, those who are resistant to this kind of film will definitely resist this one in particular.Īdapting the novel by R.J. It’s (almost) never mawkish or manipulative, and its characters are so well-established both in the writing and in the performances that the movie ultimately does the hard work of earning those damp Kleenexes. Giving the film credit where it’s due, “Wonder” never cheats in its pursuit of emotion. So if “Wonder” wants to be a tear-jerker - and that desire is stamped into pretty much every scene of the film - we can’t fault its single-minded desire to provoke a response. When a comedy pulls out the stops to get laughs, or a horror film goes to extremes to frighten its audience, we accept and even applaud these tactics as an inherent part of these respective genres.